White Orchids s07e13 |
The Mentalist has concluded it seven season stint with the wedding of Patrick Jane and Teresa Lisbon and even though I am wallowing in the depths of despair, not really, (really,) I am so thrilled that the show ended the way it did. I enjoyed watching all the full circles the show made and was pleased that though Simon Baker had said he wanted a more tragic ending that it was his idea to end the show with the knowledge of Lisbon being pregnant with Jane’s baby. (Maybe he’s a romantic after all? Or thinks having a baby is tragic…)
The
wedding has, of course, spurned some rather heated arguments over whether or
not Jisbon should have ever happened in the first place. One remark that I have
heard repeatedly, since I joined the
twitter/Mentalist community in 2012, is that Jisbon is contrived and that there
are people who legitimately swear that they never saw it coming.
I
can readily admit that Bruno Heller, the show creator, and the writers have
been extremely subtle in their portrayal of a growing romantic attachment
between Patrick Jane and Teresa Lisbon. That said…you really didn’t see it
coming? Really? I'm not trying to be sarcastic, hard to believe I know, but it really and truly astounds me. It seemed so obvious. (FYI, my intention here is not to offend anyone, but merely to delve into one facet of a show that I loved.)
A Dozen Red Roses s01e19 |
Because
I want to secure my argument that this wasn’t completely contrived and that
there was ample evidence to suggest that Jisbon could happen, I am only going
to use evidence from season one. Before I start I must let you know that I am not making money off my blog, and I do not own any of the pictures, gifs or videos of The Mentalist on this post or for that matter The Mentalist. (I'd be happy to take any rights though...)
To begin there are a few things about me that you should know.
To begin there are a few things about me that you should know.
First: I am not a romantic. Whatsoever. I asked my mom the other day if she
thought I was, just to see her reaction. She laughed. (I thought that was a
little uncalled for.) Second: I am not a shipper. I have never once cared
whether characters end up together or not and I’m an avid show watcher. Third:
I am incredibly wary about widowers remarrying. It’s a silly and selfish
prejudice that I think comes from my unwillingness to share my future husband,
in the afterlife, with another woman and the fear that I would always be
compared to the deceased spouse in life. (I don’t think remarried widowers are bad people,
just so we’re clear, or subscribe to any nonsense about it being a form of
cheating.)
Also, the show does not begin and end, in my opinion, with the romantic relationship between Jane and Lisbon. It is simply one aspect of the show I loved.
Also, the show does not begin and end, in my opinion, with the romantic relationship between Jane and Lisbon. It is simply one aspect of the show I loved.
I’m
telling you these things because I hope it will help you see that I am not just
desperately trying to make an argument where one doesn’t exist. If anything Jane and
Lisbon had odds stacked against them in favor of me wanting them together.
That
said I still "ship" Jisbon. How did this happen? I have no idea. I didn’t even
know that the word “shipper” meant a person who wants a romantic entanglement
between two characters in their favorite show until a couple years ago. And
remember the looks on Simon Baker, Robin Tunney, and Bruno Heller’s faces when
they were first introduced to Jane and Lisbon’s couple pairing name “Jisbon”?
Simon Baker and Robin Tunney. From a first season interview when asked about "Jisbon." |
That was my face when I first heard it three years ago. (And I still hate the
word “Jisbon.” Seriously, it sounds like a stripper name.)
I
suspect that the more I came to know Patrick Jane and his tragic story
the more I wanted him to get revenge in every way possible. Red John wanted to
steal his life and he did—for a time. I needed to see Jane not only kill Red
John, but also shove it in his face one more time by making a new life for
himself and being really and truly happy despite (and in my case in spite of)
Red John. The only way I could see this happening for him, credibly, was if he ended up with Teresa Lisbon.
And,
yes, as I mentioned above, they have been incredibly subtle in their hinting of
a Jane and Lisbon romance, but not so subtle that I don't think I can't make a fairly decent argument for Jisbon.
The Pilot
At the end of the Pilot episode
Jane gives Lisbon an origami frog in apology for bad behavior. He walks off,
the frog jumps, Lisbon startles, Jane stops and smiles back at her, then
becomes sullen and leaves. The scene that immediately proceeds is Jane lying
down on a mattress in his house under the smiley face that Red John left in the
blood of Jane’s wife and daughter.
These
two moments are arguably some of the most symbolic of the series. We go from
the most innocent, sweet, and lighthearted scene of the episode to the darkest
and most upsetting one. From Teresa Lisbon to Red John.
In a TVLine Interview with series creator Bruno Heller and show star Robin Tunney, Heller supported my theory by saying:
Lisbon is the kind of “light” in the show, and Jane was kind of consumed in darkness — and suddenly here is a ray of light, a ray of hope that maybe he can do something with his life, that this someone can help him seek out what he wanted. (http://tvline.com/2015/02/17/the-mentalist-series-finale-preview-jane-lisbon-wedding/)My reaction first time I saw it as a normal viewer not looking for a deeper meaning:
Pilot s01e01 |
“Aw, he likes her."
"Yeesh, that’s creepy.”
My reaction as a writer:
They’re setting up a
major dilemma for the Jane character in dealing with feelings he’s not ready
for. He likes the Lisbon character, and likes to make her happy as is evidenced
by his smile at her reaction to the frog jumping, but feels guilty for it, which
we know because he becomes glum after smiling at her reaction and because he
immediately takes a six hour drive from Sacramento down to his Malibu house
where his family was murdered. For what purpose? To sleep under the blood of
his family. Clearly to punish himself and to remind himself that his first priority
needs to be catching Red John.
The writers want us to know that there is a priority triangle between
Lisbon, Jane, and Red John. They want to create a conflict of emotions for
Jane. And in doing this they're telling the audience that the Lisbon character is
as important to him as the Red John character, the light in the darkness (if you will), and that if Jane were ever to
have a romantic attachment in the show it’s probably going to be with Lisbon.(My writer's brain is deeply chatty. Sorry...)
Flame Red
Initially
I wasn’t going to include this one, but then I remembered that this was the
first episode in which "Jisbon’s" theme music was first introduced. It plays
at the end of the episode while Jane and Lisbon are standing in the rain. This
same music is used many times throughout the series during important relationship
building moments for our feisty duo. It’s not clear season one proof that they’d end up together, especially since it was used a couple times in non-Jisbon moments,
but it was clearly a decision made to give them a theme. One that, I feel compelled to mention, was used during their first kiss.
Bloodshot
I
know this is probably an argument that gets used a lot, and because of that I
almost skipped it, but let’s face it, (haha!), it’s a good one. Of course I’m thinking
of the part where Jane touches Lisbon’s face and tells her he wants to know
what her face feels like when she’s smiling.
Bloodshot s01e16 |
Now
I don’t know about all of you, but the only men who have ever touched my face
were ones I was dating. Out of curiosity, I asked a few men if they would ever
touch the face of a female coworker or girl who was a friend. They all said no,
with the exception of one who said that he would if he were into her.
I
also think that it’s worth mentioning that Lisbon was the first thing Jane saw
when he got his vision back. From a writer’s standpoint, that’s very telling. If
I’d written that it’d be because I wanted people to know that there was
potentially something brewing between the two.
Carnelian Inc.
The
conversation right before the trust fall, while vague in its “ship” building, is
in fact doing just that. With all its talk of “boundaries of their professional
relationship” and the actual trust fall itself all I can really say is that
this is a moment of friendship building, even though I believe that it was
necessary in their “ship” building to have a strong friendship first.
Jane is hurt that Lisbon doesn’t trust him and tells her that he needs her to know that "no matter what happens" he’ll be there for her. He's quite insistent. But really, Jane? No matter what? But what if you have to choose between Lisbon and Red John? Isn't that in conflict with your number one priority which is, in fact, catching Red John? Yes, yes it is. Which brings us back to the priority triangle that was introduced in the Pilot. (My oh my. I wonder what will happen next?)
Jane is hurt that Lisbon doesn’t trust him and tells her that he needs her to know that "no matter what happens" he’ll be there for her. He's quite insistent. But really, Jane? No matter what? But what if you have to choose between Lisbon and Red John? Isn't that in conflict with your number one priority which is, in fact, catching Red John? Yes, yes it is. Which brings us back to the priority triangle that was introduced in the Pilot. (My oh my. I wonder what will happen next?)
And, by the way, guess what music is playing during the trust fall? That's right, the "Jisbon" theme. (Which I'm sure has a proper name... Sorry Blake Neely; you're music deserves more credit than that!)
Red Sauce
Red Sauce s01e20 |
This
episode probably has the most blatantly obvious sign of a growing romantic
relationship between Jane and Lisbon of the entire season. Again, I am sure
that the pony scene is used in arguments for their “ship” all the time, but not
argued in the way it should be.
Now
for all of you who think that him buying her a pony was merely a cute thing
that Jane did for a good friend or a sibling like gesture, I would like for you to go and
ask a man, any man who will be honest with you, if he would ever go to the
trouble of looking for, purchasing, and having a pony delivered to the office of a
woman who was just a friend. And I’m sure it wasn’t cheap either.
There
is no man in his right mind who would do that for a woman he wasn’t interested
in. I don’t even have to ask any men I know, because I know what their response
would be. It would never happen.
And
as far as the sibling theory goes, I have three brothers and have not once received
a birthday gift from any of them, let alone a pony. And they are good brothers.
Also,
I suppose, that I must begrudgingly admit, even though I don't believe that Lisbon had strong feelings for Jane until season four, that Lisbon was indeed acting "grumpy"
that Jane "forgot" to give her a gift. That’s a pretty high expectation for a
woman to have of a member of her staff, male nonetheless. Unless, of course, she has stronger feelings for him than she would for someone who was just an employee or friend.
Red John’s
Footsteps
Red John's Footsteps s01e23 |
This
episode brings me back to the Lisbon/Jane/Red John priority triangle that I
mentioned in the Pilot and Carnelian Inc. So far it has been established that
Jane cares for Lisbon almost as much if not as much as he does about catching
Red John, and that it is very important for him that Lisbon trust him.
In
this episode Jane gets mad at Lisbon for saving him and allowing Red John to
get away, and then immediately after kills his first and only lead to Red John
in order to save her life.
It's
a triple whammy. Jane discovers that his first priority is Lisbon’s life (and not Red John's), he
establishes that she can in fact trust him, and kills someone to prove it. It answers the questions asked in the Pilot and Carnelian Inc, (Who's Jane's first priority? Can Lisbon trust him?) and backs up both questions with concrete proof.
Now
I won’t say that I think Jane wouldn’t have killed for the other team members, because I think it very possible that he would have,
but I find it significant that they chose Lisbon for this moment. It had to be
her to come full circle from the Pilot. And when I say “they” I actually mean
Bruno Heller as he was the one who wrote all three of those episodes.
And further, the idea of them creating a love interest between Jane and anyone else after the priority triangle would have been ridiculous. We already know that Lisbon is more important to him than Red John and I don't believe that they could have credibly brought in someone else after Jane killed for Lisbon.
And further, the idea of them creating a love interest between Jane and anyone else after the priority triangle would have been ridiculous. We already know that Lisbon is more important to him than Red John and I don't believe that they could have credibly brought in someone else after Jane killed for Lisbon.
Most
shows have some kind of romance going on. Why? Romance sells. So while Bruno
and the writers very creatively pushed the bulk of the shows romance onto
Rigsby and Van Pelt, I can’t believe that Patrick Jane and Teresa Lisbon as a couple had never crossed
their minds.
Nonsense.
If that were the case they could have made Lisbon a man
or a happily married woman
instead of an incredibly fantastic, single woman who was completely un-intimidated, smart, feisty and
more than worthy to end up with the marvelous Patrick Jane.
Bruno Heller agreed with my sentiment, in the same TVLine Interview as above, when asked if he had known that Jane and Lisbon would end up married from the beginning, by saying:
Men of The Mentalist
My last pieces of evidence come from men of the Mentalist who have helped make the show what it is. I have chosen only evidence for this section that came during season one, as my prior evidence was from season seven, and as such could be used as an argument against my points.
1.) It was Bruno Heller who mentioned the three facets of the Jane/Lisbon relationship in the first season box set, one of which was “flirting.”
2.) In an interview with Chris Long (at the time, co-executive producer and director), he said this:
3.) Blake Neeley wrote a Jisbon a theme. (See above.)
4.) Simon Baker, in the same interview as the one where he was introuduced to the coupling name "Jisbon," stated that they couldn't get the characters together until the end, otherwise you'd have a Moonlighting effect. (Moonlighting was a popular show in the 80's that was cancelled at the end of its second season, I believe, after the two main characters slept together.) That doesn't sound like a statement from someone who was oblivious to the possibility.
So, frankly, the idea that Jisbon never even crossed their minds, or that there is no evidence to support where the show went with their relationship is clearly unsubstantiated.
If you have any other season one scenes that you think were important in Jane and Lisbon's "ship" building please comment and let me know. (My favorites are the ones that can be proven and not just opinionated on, but don't let that stop you from sharing.) Thanks for reading!
Bruno Heller agreed with my sentiment, in the same TVLine Interview as above, when asked if he had known that Jane and Lisbon would end up married from the beginning, by saying:
Oh, I wouldn’t have even opened a book on it. I mean, it crossed my mind, but no, it was never a thought. It immediately became a thought as soon as you see these people doing their stuff. (http://tvline.com/2015/02/17/the-mentalist-series-finale-preview-jane-lisbon-wedding/)And there it is from the top dog himself. "Jisbon" may be a lot of things to different people, but contrived it is not.
Men of The Mentalist
My last pieces of evidence come from men of the Mentalist who have helped make the show what it is. I have chosen only evidence for this section that came during season one, as my prior evidence was from season seven, and as such could be used as an argument against my points.
1.) It was Bruno Heller who mentioned the three facets of the Jane/Lisbon relationship in the first season box set, one of which was “flirting.”
2.) In an interview with Chris Long (at the time, co-executive producer and director), he said this:
3.) Blake Neeley wrote a Jisbon a theme. (See above.)
4.) Simon Baker, in the same interview as the one where he was introuduced to the coupling name "Jisbon," stated that they couldn't get the characters together until the end, otherwise you'd have a Moonlighting effect. (Moonlighting was a popular show in the 80's that was cancelled at the end of its second season, I believe, after the two main characters slept together.) That doesn't sound like a statement from someone who was oblivious to the possibility.
So, frankly, the idea that Jisbon never even crossed their minds, or that there is no evidence to support where the show went with their relationship is clearly unsubstantiated.
If you have any other season one scenes that you think were important in Jane and Lisbon's "ship" building please comment and let me know. (My favorites are the ones that can be proven and not just opinionated on, but don't let that stop you from sharing.) Thanks for reading!